When Siddalee Walker, eldest daughter of Vivi Abbott Walker (Ya-Ya extraordinaire - part Scarlett, part Katherine Hepburn, part Tallulah) is interviewed about a hit play she has directed, her mother is described as a 'tap-dancing child abuser'. Enraged, Vivi disowns Sidda - devastating her daughter who postpones her wedding and puts her life on hold until she is granted forgiveness. Trying to repair the relationship, the Ya-yas, Vivi's intrepid tribe of Louisiana girlfriends, sashay in and insist Sidda is sent 'The Divine Secrets of the Ya-Ya Sisterhood', a scrapbook of their lives together from a day in 1932 when they were disqualified from a Shirley Temple lookalike contest for unladylike behavior. Expected to raise babies, not Cain, the Ya-Yas are bonded for life in an unforgettable exploration of the complexity of mother-daughter relationships and the power of female friendship.

 


The reviews for this were really what I was attracted to. Yes it sounds like it should be on Oprah's book list rather than mine, but it actually does look like it might be a good read. There's also a recommendation from Tom Robbins, the author behind Even Cowgirls Get The Blues.

 


July 31st 2002
Up to page 48...I'm done, I can't take any more!

Here's what I wrote to Sarah when I tried to explain the vile atrocity that I inflicted upon myself.

Blithe: I have to try and write about why I'm not going to read about the Ya-Ya's

Sarah: Just say it's crap and have done with it

Blithe
Lol, but to explain why it's crap. *shudders* I think it was the gratuitous use of the word 'moist' that finally got me.

Sarah: I don't think I want to know.

Blithe: It was moist in only the way Mills and Boon and Barbara Cartland get away with....I think I realised my sanity couldn't take any more. 

Sarah: Maybe just put that and I think everyone would understand

Blithe: Lol, yeah. It's the whole fucked up, idealistic perfection of 'the sisterhood' that bugs me too.

Sarah: There's no such thing. Girls are far too bitchy about each other for there to be a sisterhood.

Blithe: I don't know, I mean there are women I adore *pokes you* but there's non of this kitsch crap between us.

Sarah: You'll have to explain the kitsch crap seeing as I've never read it.

Blithe: Ok, here's the deal (bearing in mind I've read 7 chapters and only got to page 50ish). There's this chick, Sidda, and she's a theater director. In an interview she mentions that her momma (eeew) beat her as a child, and the article comes out painting momma as a child abuser and stuff...so momma disowns her daughter totally.

Sarah: As you do.

Blithe: Well no, I don't think you do....it's a big drama queen reaction, and then from momma's P.O.V. we see that she was an alcoholic, and not very nice....sooooooo.

Sarah: So kiddie shouldn't have said anything

Blithe: Sidda grovels, and grovels, and tries to get her momma to talk to her, in any way she can...eventually asking her and the other Ya-Ya's to help her research a play about women's friendships.

Sarah: Who are these Ya-Ya's?

Blithe: If you read, you'll realise it's totally out of context, it's a dumb slip of the tongue, rather than a malicious exposé. The Ya-Ya's are a group of four friends, who are way close and have created this whole life around how fabulous they are.

Sarah: and have big egos

Blithe: They're all married and have kids, they sickeningly call the 'petite ya-ya's', puke, puke!

Sarah: *sticks fingers down throat*

Blithe: Anyway, the women folk get together and decide to send Sidda their scrap book of Ya-Ya memorabilia, to help with her research. So it's all Sidda sitting looking at junk and reminiscing, and momma being an arrogant pain in the ass.

Sarah: So where did the moistness come in?

Blithe: Oh, there's a man...the love of her life, who after her mother's rejection she decides she can't marry because 'she doesn't know how to love anymore' *pukeeeeeeeee* and who thinking about induces moistness.

Sarah:
Does it start raining then?

Blithe: Lol, that would be better! In amongst all the girly junk is this whole religious thing too...goddess worship, I suppose. And after the moistness the momma turned to the Ouija board for advice...that was when I threw the damn book across the room.

Sarah: Sounds bad. I'd stop. You could always use this bit of chat for your review.

Blithe: Oh, did I mention Sidda worships the momma, despite everything? Yeah, I think I'm going to, it would help explain why it makes me so cross, lol.

Sarah: I think I get it. I certainly wouldn't want to read it.

Blithe: Her mother is called Vivi...and all her early life Sidda thought that all the vivi words in the dictionary were invented for her....viviatious, vivid, blah, blah, blah.

Sarah: *gag*

Blithe: I don't know why I bought it, I will file it under 'trust your instincts' and never look at it again.

Sarah: Just chuck it in the attic with your eyes closed.

Blithe: Lol,. The thing that pisses my off so much is that it's written in such a lovely style, I just kept praying it would stop being icky!

Sarah: Things that start icky tend to carry on icky no matter how much you pray

So perhaps it's not clear yet, that I'm not overly taken with this book at all. It's years since I disliked a book so much that I didn't finish it. I asked a bunch of people who might have read it if it developed into a cracking story, or meandered along the same freaky route. Lots of them had heard of it, a few had been bought it (usually by well-meaning girlfriends who'd loved it) but not a single one had read it. I should have known.

I've had some fabulous women friends in my life; hell, I still have fabulous women friends. However they are all similar in that they don't indulge in the feminist bullshit that the women I was exposed to as a child thrived on. I suppose the one real gift that feminism gave my generation was the freedom to be ourselves. We don't have to play at being wives and mothers if that's not we want, and nor do we need to wear love beads and burn our bras.

This book, which I'm sure goes on to affirm femininity and independence, buys into the idea of female friendships without having any relation to the women I love. We don't live in a world where we lounge beside creeks surrounded by hoards of children, who never even skin their knees! Maybe I'm alone in never seeing my mother as an infallible Goddess that the world revolves around, but part of what I love most about my mother is seeing her flaws as well as her graces. Knowing her is what makes me love her, not putting her on an idealistic pedestal. Sidda's mother is on a pedestal so high it would cause a catastrophe approaching the K/T event should she crash to Earth! 

So many of the ideas in this book were alien to me; more made me feel physically ill. I realised very quickly that these were not women I was keen to spend time with, or whose crap I was willing to endue. However good the writing. The writing is good, wonderfully expressive (apart from the gratuitous moistness), and I just wish the author had used her talents to tell a different tale. Any other tale! Unless someone (whose judgment I value) tells me that there is a story worth reading here I very much doubt I'll turn to it again. I have little enough time already to read books that give me pleasure, and this did not do that!

Before I close, and don't give this my usual mark out of five, I want to share a real moment of female bonding. I was talking to my aunt this week, about my approaching birthday (29...ahhhh) and telling her how I don't feel old enough to be nearly 30. Her answer was so honest, and reassuring I couldn't stop thinking about it. She said that many wives and mothers go to bed at night and panic, thinking 'I'm not old enough to have children, to be a wife, to run a house' and yet they still do. My aunt is one of those women, and I think when I begin taking on those roles I will be too. That's the kind of assurance to pass on to the younger generation, not that the world should bow before you, nor that mothers are perfect and you have to live up to that image.